Sunday, 28 February 2021

The Stranger (1946)

 The Stranger (1946)



The stranger is a 1946 American film noir. This film was directed by Orson Welles and written by Victor Trivas. This film mainly stars Edward G. Robinson as Mr. Wilson, Orson Welles as Franz Kindler and Professor Charles Rankin, and Loretta Young as Mary Longstreet.


Edward G. Robinson as Mr. Wilson


Orson Welles as Franz Kindler/ Professor Charles Rankin


Loretta Young as Mary Longstreet.


Plot Summary

Charles Rankin is a professor in a respectable Connecticut town about to marry the daughter of a U.S. Supreme Court justice. But his name is fake, and his past is filthy. An earnest convert to Christianity, who once ran a Nazi concentration camp, is capable of revealing him. So "Rankin" kills this little old man and buries his body in the forest. But he isn't safe since an investigator from the War Crimes Commission is on his tail. Rankin would need his own wife to help him elude capture. But his obsession with the nearby clock tower may prove his undoing.



Film Noir Conventions

Themes

The themes of this film are evil, love, and betrayal. The theme of love was displayed as Mary Longstreet was still madly in love with Charles Ranking and even though she found out that he murdered someone, she still stands by his side. Furthermore, the theme of evil is shown is because the main protagonist of this film is a criminal who escaped from the Nazi War. Lastly, the theme of betrayal is shown is because Mary Longstreet finally comes to a sense and betray Charles Rank, just he tried to kill her by setting a trap in a church.


Love

Evil

Betrayal


Smoking

The element of smoking is very commonly used in film, it helps to show the character’s power. For example, Mr. Wilson is a detective who always smokes cigar.



Setting

There are many settings in this film. One of the setting is when the protagonist is burying a corpse in the forest. The dark area is common in film noir. For example, in the beginning of this film, Konrad Meineke was at a photography shop in search of Rankin's new identity. The environment which they were in are dark and tight, this brings a message to the audience to tell them that the person who is he looking for is not a good guy.

 

Lighting

There is also low-key lighting used in this film. It helps to create  clear shadows, clear textures, and sharp edges. For example, there is a scene when Mary Longstreet is having a nightmare while Mr Kindler is coming back from the forest. We can see a shadow is clearly shown on the wall and the use of the shadow is to  create a mysterious atmosphere for the audience.





Editing

The editing also used in the film noir. There is several editing are used in this film. Some of the scene has used fade to black and fade in & fade out. Some of the scenes have used black and white filters throughout the movie. Besides, some of the scenes used jump cut and some of the scenes have used quick cut.

 

Conclusion

From a viewer perspective, this film is good, and the story plot is nice. The elements and editing use in this film are also perfect. However, I still don’t like this film as this film is not the type which I like to watch, but I still learn several things from this film as it is a good experience for me.


Reference

https://en.wikipedia.org/wiki/The_Stranger_(1946_film)

https://www.imdb.com/title/tt0038991/


Sunday, 21 February 2021

Mission Impossible: Rogue Nation (2015) - Film Review

 

Mission Impossible: Rogue Nation (2015)



Mission Impossible: Rogue Nation is a 2015 American action film. This film was written and directed by Christopher McQuarrie. This film mainly stars Tom Cruise as Ethan Hunt, Simon Pegg as Benji Dunn, Jeremy Renner as William Brandt, Rebecca Ferguson as Ilsa Faust, Ving Rhames as Luther Stickell, and Sean Harris as Solomon Lane.


Tom Cruise as Ethan Hunt


Simon Pegg as Benji Dunn

 

Jeremy Renner as William Brandt

 

Rebecca Ferguson as Ilsa Faust

 

Ving Rhames as Luther Stickell

 

Sean Harris as Solomon Lane

 

Plot Summary

After the IMF is disavowed by the CIA, Ethan is marked as a rogue agent. The CIA assumes the Syndicate is a figment of the imagination of Ethan, so they are desperately trying to take him in. The Syndicate, meanwhile, is getting stronger and an undercover British Secret agent, as a member of the Syndicate, joins Ethan and his team to eventually take down the Syndicate.

 

Analysis of Editing and Sound

Editing

1. 180- degree rule

180-degree rule is a cinematography principle that establishes spatial relationships between on-screen characters. The 180 rule sets an imaginary axis, or eye line, between two characters or between a character and an object. By keeping the camera on one side of this imaginary axis, the characters maintain the same left/right relationship to each other, keeping the space of the scene orderly and easy to follow. For example, a 180-degreee rule is applied in a scene when Ilsa Faust suddenly meet Ethan Hunt in an airport. The camera shows the eye contact between both, although they are standing from a distance away.

 


 


2. Eye-line Match

Eyeline match is a technique in film editing to show what a character is seeing to the audience. The Eyeline match encourages the audience to assume that through the character's eyes they are looking at something. For example, there is a scene when Benji Dunn is playing video game during his working time. In this scene, the eye-line match is used. First, the camera shows Benji staring at the computers from a medium to a close-up shot. Then the camera goes to the video game display on the computers. This shows that Benji is playing and looking at the video games on the computers.

 







3. Shot-reverse shot

Reverse shot refers to when a filmmaker places a camera configuration on a subject, and then uses a subsequent configuration to display a reverse view of the previous configuration. For dialog scenes, shot reverse shot is most widely used and will also use over-the-shoulder shots or matching single shots for the interaction. For example, there is a scene when Ethan Hunt is talking to Ilsa Faust in the airport after they meet each other. The shot-reverse shot is used in this scene to show the conversation between Ethan Hunt and Ilsa Faust.

 





Sound

1. Diegetic Sound

Diegetic sound is any sound that occurs from the film's story setting. The term comes from the word mise-en-scene, which means narration or narrative, which is the evolution of a Greek term. If the viewer knows that it comes from something within the film, the source of diegetic sound doesn't need to be seen on screen. For example, there is a scene of the opera call Turandot is going on.

 




 2. Non-diegetic

Any sound that does not come from inside the world of the film is non-diegetic sound, often called commentary or nonliteral sound. The characters in the film are unable to hear non-diegetic sounds. In post-production, all non-diegetic sound is added by sound editors. For example, in the beginning of the film, the theme song is being used. It is used to bring up the tension and emotion of the audience towards the scenes of the film as well as increasing their expectations towards the story of the film.

 




Conclusion

From a viewer perspective, I feel that this film is so amazing and hot to watch. The story plot of this film is well written, and the editing of this film is also excellent. Every shot in this film is perfect and I cannot quantify by words. Besides, the theme song of this film is also nice as it makes me feel like I am in this film. Overall, I like this film very much and will share it to others.


Reference

https://en.wikipedia.org/wiki/Mission:_Impossible_–_Rogue_Nation

https://www.imdb.com/title/tt2381249/

https://www.masterclass.com

 

Friday, 12 February 2021

Braveheart (1995)

 Braveheart (1995)

Braveheart is a 1995 American epic and historical war film. This film was directed and co-produced by Mel Gibson. The screen was adapted by Randall Wallace and the film also stars Sophie Marceau, Patrick McGoohan as well as Catherine McCormack.




Mel Gibson as William Wallace

 

Sophie Marceau as Princess Isabelle

 


Patrick McGoohan as Longshanks – King Edward 1

 


Catherine McCormack as Murron

 

Plot Summary

William Wallace is a Scottish rebel leading a rebellion against Edward the Longshanks, the ruthless English king, who wants to inherit Scotland's crown for himself. When he was a young child, the father and brother of William Wallace, along with several others, lost their lives attempting to free Scotland. William Wallace begins his long journey to make Scotland free once and for all, along with the help of Robert the Bruce, once he loses another of his loved ones.

 

Cinematography

Cinematography is the art of photography and visual storytelling in a motion picture or television show. Cinematography comprises all on-screen visual elements, including lighting, framing, composition, camera motion, camera angles and other.

Below is the chosen scene to analysis the cinematography elements :

 

Scene of William Wallace Death

Undoubtedly, the scene in which Wallace is being tortured is the climax of the movie, since most of the film is performed using long shots, and the use of close-ups in the scene makes the theme even more prominent.



 The first shot of the film clip is a close-up shot with a bird’s eye view of Wallace in an enormous amount of pain.

 



                    


From Wallace, to the magistrate, and to Wallace's fellow countrymen, the next few shots pan back and forth. From a different camera angle, each shot is shown. A bird's eye view is the view of Wallace. The other view is a view of the magistrate from a low angle, as to indicate a placing of power. A medium to close-up shot is the shot of the countrymen to get all their feelings in the scene and what they are going through as they watch their friend die.

 

      





After William Wallace shouted "Freedom" in these scenes, the camera quickly takes a close-up shot of the King of England (Edward Longshanks) lying on his bed, immediately opening his eyes in amazement at what he had seen. Then the camera makes its way to all the other characters in the film, and each shot is a close-up of their own reactions and perceptions that Wallace is dead. These shots are low in density because they're just the characters' shots and there's nothing around them, just their own reactions.

                     





         

The next shot gives the magistrate gives the okay to kill Wallace. The camera pans back to Wallace, and he turns his head on the table to face the crowd. This shot is a long shot of his two countrymen looking on, and as the film starts to play in slow motion, the background music begins to fade and play softly. Wallace starts seeing his dead wife, who was killed in the film earlier. Behind the two countrymen, she starts walking and makes her way around them so Wallace can get a full view of her. The camera pans into a close-up of Wallace, and because he sees his wife, he starts to have this feeling of calmness for him.

 




 

The last final shots are close ups again. One of the shots was Wallace holding his wife's handkerchief, the other a shot of an axe going down to behead Wallace. Furthermore, there are also shots of Wallace's wife getting closer to Wallace between those shots and smiling at him, giving him peace of mind. To display the strength of the scene, there are three or four shots of each one from various camera views and angles. Wallace drops the handkerchief as the axe finally falls. The audience watches it slowly fall to the ground to signify William Wallace's death.

 

Conclusion

From a viewer perspective, I feel that the soundtrack of this film is masterpiece. The story from the beginning to the end is very epic. Every shot that takes in this film is amazing and I cannot quantify by words. This film also shows me love, friendship, trust, betrayal, and others. Overall, I like this film so much and may watch again another time.


Reference

https://en.wikipedia.org/wiki/Braveheart

https://www.imdb.com/title/tt0112573/

https://www.masterclass.com/articles/film-101-what-is-cinematography-and-what-does-a-cinematographer-do

https://www.studiobinder.com/blog/what-is-cinematography/

Saturday, 6 February 2021

Life of Pi (2012)

 

 Life of Pi (2012)


Life of Pi is a 2012 American 3D live-action computer animated fantasy adventure film based on the novel of the same name by Yann Martel in 2001. Directed by Ang Lee, David Magee wrote the adapted screenplay of the film, starring Suraj Sharma, Irrfan Khan, Rafe Spall, Tabu and Adil Hussain.

 

Suraj Sharma as Pi Patel

 

Irrfan Khan as adult Pi Patel

 

 

Rafe Spall as Yann Martel


 

Adil Hussain as Santosh Patel

 

Tabu as Gita Patel

 

 

Plot Summary

In order to know the first-hand account of his travels, an ambitious Canadian author interviews the Indian storyteller Pi Patel. In French-occupied India, where his father owned a zoo, Pi recounts his upbringing. When Pi's family company collapsed, they went to Canada on a sea voyage to start a new life. In the middle of the ocean, one night on their Japanese cargo ship, a violent and lethal storm strikes and sinks. With some of their zoo animals, including a ferocious Bengal tiger, he survives in a lifeboat. Pi and the tiger forge an unlikely bond in a struggle to survive that gives him everyday inspiration to live. Life of Pi is a story about faith, hope, and the desire to survive.

 

 



 






Mise-en-scene

Settings

We will find five important settings in Life of Pi, including the Pondicherry Zoo, a lifeboat in the Pacific Ocean, a carnivorous island, Mexico (where Pi is rescued), and Canada (where Pi makes a new life for himself). The Pacific Ocean is the most significant of both settings, since it is where most of the story takes place. In behind the scenes, the Pacific Ocean is built with a massive wave tank by Ang Lee and his crews on an actual runway at a Taiwan airport.

 


 



 Props

The main props which we can find in this film is the lifeboat. The lifeboat is the life saver of Pi as it helps him to survive on the Pacific Ocean and provided him other Important props such as the emergency supplies and food to keep him alive.

 

 



 



 Lightning

There is lightning in this film. Firstly, is the scene of Pi’s childhood memory during the school. In this shot, the lighting is dull and dreary which suggests school is not a fun and exciting place. This contrasts with the colors when he is stuck in the lifeboat, where the setting is brightly colored showing that they are two completely opposing places. This is the second scene which shows Pi’s adventure on the sea.

 

 



 


 

 Customs and Make Up

His costuming and the way the director have made him look is another attribute that allows us to understand the circumstances of Pi. We can see that his pants are faded and dirty, and he no longer wears his shirt. This costuming shows the circumstances under which Pi must survive as he has taken his top off and dirty, as his pants reveal, where it must be hot. For the make-up, we can see that Pi’s hair is grown out and he is becoming very skinny.

 

 




 

Conclusion

From a viewer’s perspective, I like the story structure very much as it is fantasy although the beginning of the story is a bit boring. However, the animation and the lighting of the film is amazing and nice. In the beginning, I thought this film was taken in real place but I only found out that this film is only taken in a place after doing some research. Overall, this movie is great to watch and it teaches me many things in life.

SEPET (2004) - FILM REVIEW

 SEPET (2004) Yasmin Ahmad directed the Malaysian teen romantic comedy-drama film Sepet (2004). It was released in 2005 and is set in the Ma...